| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Foreigners | |||||||||||||
Observation in situ also led him to indicate “the exact place” where Pier Maria Baldi placed his work table to draw the well-known panorama of Coimbra (A Sé Velha, vol. II, 1935, p. 172). Historiography in Coimbra did not lose the illusion of seeking the accuracy and certification of facts again until the 1974 Carnation Revolution and the post-modernist revolution. |
|||||||||||||