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On the one hand, he absorbed a clear encyclopaedic trend in history from perspectives like those of his Lisbon teachers and Damião Peres, as expressed in the chapter on the contextualization of the birth of the Houses of Mercy in Portugal. However, he also showed influences from positivist historiography through prevalence of written documents in his formulation of hypotheses based on scholarship and textual criticism, and the cult of truth, objectivity and impartiality in his writing style, which was described as simple and attractive, or even the primary characteristic of his work as historian, a focus on original and unknown facts about the reality of Porto, which as an active citizen of the city was supplied in promoting the greatness of the city's identity and uniqueness. |
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