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Bertolotti’s complex historiographical production reveals a problem with the authenticity of his sources and the depth of his research, a not insignificant problem with informational historical-cultural works published in the first half of the nineteenth century. It is in this development of traditional historiography (also in Portugal), which leads to “summaries of summaries”, where one point of obvious epistemological weakness can be found regarding the authenticity of the result – a methodological criticism which applies to almost the whole of the production in these years when the more rigorous form of research that had sprung from the German school was just starting to be propagated in the world of romantic culture. |
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